Precious Metal / Night Wandering

A double bill of dance work by John Scott and Merce Cunningham

Featuring an international team of technically brilliant and culturally diverse dancers and artists, John Scott's Precious Metal combines passion and virtuosity, humour and heartbreak. Using choral texts from Sophocles’ Antigone, expect wild jumps into space, wonderful rhythms and movements driven by speed and strength, all delivered with poignancy and grace.

Night Wandering, created by Merce Cunningham in 1958, is a duet reminiscent of snowy landscapes, described by Walter Sorrel as “a tender lullaby of love”. In keeping with the piece’s Nordic theme, the music by Bo Nilsson is characterized by bursts of activity followed by moments of silence, evoking the feeling of traveling through the spacious, and seemingly endless Northern night.

Performance Dates

Irish Modern Dance Theatre, Rear 44 East Essex St, Temple Bar, Dublin 2             +353 (0)1 6715113        imdt(at)

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Irish Modern Dance Theatre,

Rear 44 East Essex St,

Temple Bar,

Dublin 2

+353 (0)1 6715113


Merce Cunningham (1919-2009)

Merce was a leader of the American avant-garde throughout his seventy year career and is considered one of the most important choreographers of our time. Through much of his life, he was also one of the greatest American dancers. With an artistic career distinguished by constant innovation, Cunningham expanded the frontiers not only of dance, but also of contemporary visual and performing arts. His collaborations with artistic innovators from every creative discipline have yielded an unparalleled body of American dance, music, and visual art.

Of all his collaborations, Cunningham’s work with John Cage, his life partner from the 1940s until Cage’s death in 1992, had the greatest influence on his practice. Together, Cunningham and Cage proposed a number of radical innovations. The most famous and controversial of these concerned the relationship between dance and music, which they concluded may occur in the same time and space, but could be created independently of one another. The two also made extensive use of chance procedures, abandoning not only musical forms, but narrative and other conventional elements of dance composition—such as cause and effect, and climax and anticlimax. For Cunningham the subject of his dances was always dance itself. Born in Centralia, Washington on April 16, 1919, Cunningham began his professional modern dance career at 20 with a six-year tenure as a soloist in the Martha Graham Dance Company. In 1944 he presented his first solo show and in 1953 formed the Merce Cunningham Dance Company as a forum to explore his groundbreaking ideas. Over the course of his career, Cunningham choreographed more than 150 dances and over 800 “Events.” Dancers who trained with Cunningham and have gone on to form their own companies include Paul Taylor, Trisha Brown, Lucinda Childs, Karole Armitage, Foofwa d’Immobilité, and Jonah Bokaer. Cunningham’s lifelong passion for exploration and innovation made him a leader in applying new technologies to the arts. He began investigating dance on film in the 1970s, and choreographed using the computer program DanceForms during the latter part of his career. He explored motion capture technology to create décor for BIPED (1999), and his interest in new media led to the creation of Mondays with Merce. This webcast series provides a never-before-seen look at the Company and Cunningham’s teaching technique with video of advanced technique class, Company rehearsal, archival footage, and interviews with current and former Company members, choreographers, and collaborators.

An active choreographer and mentor to the arts world until his death at the age of 90, Cunningham earned some of the highest honors bestowed in the arts. Among his many awards are the National Medal of Arts (1990) and the MacArthur Fellowship (1985). He also received the Jacob’s Pillow Dance Award in 2009, Japan’s Praemium Imperiale in 2005, the British Laurence Olivier Award in 1985, and was named Officier of the Legion d’Honneur in France in 2004. Cunningham’s life and artistic vision have been the subject of four books and three major exhibitions, and his works have been presented by groups including the Ballet of the Paris Opéra, New York City Ballet, American Ballet Theater, White Oak Dance Project, and London’s Rambert Dance Company. Cunningham passed away in his New York City home on July 26, 2009. Always forward-thinking, Cunningham developed the precedent-setting Legacy Plan prior to his death, to guide his Company and ensure the preservation of his artistic legacy.




Listen to Sean Rocks and Deirdre Mulrooney on RTE Radio ARENA review

Listen to Lorcan Murray Lyric FM

Read Irish Times interview with John Scott by Michael Seaver

“Night Wandering …  Great art, and still vibrant. Precious Metal is earthy, warm, eloquent and fun ...This art is for everybody

- DRAFF Magazine 

Read DRAFF Magazine review

“Night Wandering .. Absolutely exquisite …  virtuosic … almost balletic” 

"Precious Metal … very engaging for the audience … tower of babble of John Scott’s aesthetic … very ebullient, engaging … fantastic”  

Deirdre Mulrooney/ARENA RTE Radio 1

Night Wandering : "Night Wandering by Merce Cunningham is “a classic work that is short, tight and ultimately delightfu …. a subtle, simple yet sublime duet ,,,,, beautifully realized ….  utterly exquisite”

Precious Metal: “John Scott is one of Ireland’s most innovative and exciting choreographers ….In its search for alchemy ‘Precious Metal’ can indeed be funny, exciting, and inventive... it can yield some startling, wonderful and unexpected moments”

Chris O’Rourke - The Arts Review 

“Precious Metal takes us on a multicultural, bilingual contemplation of contemporary life. Using choral texts from Sophocles’ Antigone, ritualistic chants, angry rants, song, sparkling shirts, microphones and heaps of highly physical movement, Scott’s piece covers a lot of ground”